MARC details
| 000 -LEADER |
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03686namaa2200349 a 4500 |
| 003 - IDENTIFICADOR DE NÚMERO DE CONTROL |
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OSt |
| 005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN |
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20260130145114.0 |
| 007 - CAMPO FIJO DE DESCRIPCIÓN FÍSICA--INFORMACIÓN GENERAL |
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ta |
| 008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL |
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| campo de control de longitud fija |
260130s1997 -usa frm 001 0deng d |
| 040 ## - FUENTE DE CATALOGACIÓN |
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| Centro catalogador/agencia de origen |
ES-BaFJM |
| Centro/agencia transcriptor |
ES-BaFJM |
| 041 ## - CÓDIGO DE IDIOMA |
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| Código de lengua del texto/banda sonora o título independiente |
eng |
| 100 ## - ENTRADA PRINCIPAL--NOMBRE DE PERSONA |
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| Nombre de persona |
Umland, Anne |
| 9 (RLIN) |
52625 |
| 245 ## - MENCIÓN DEL TÍTULO |
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| Título |
Joan Miró and Collage in the 1920s : |
| Resto del título |
The Dialectic of painting and Anti-Painting [Pt. 2] / |
| Mención de responsabilidad, etc. |
by Anne Umland |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. |
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| Lugar de publicación, distribución, etc. |
New York |
| Nombre del editor, distribuidor, etc. |
: New York University, |
| Fecha de publicación, distribución, etc. |
May 1997 |
| 300 ## - DESCRIPCIÓN FÍSICA |
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| Extensión |
215 p. + 112 p. ; |
| Otras características físicas |
il·lustrat, b&n : |
| Dimensiones |
22 cm. |
| 336 ## - TIPO DE CONTENIDO |
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| Fuente |
rdacontent |
| Término de tipo de contenido |
text |
| Código de tipo de contenido |
txt |
| 337 ## - TIPO DE MEDIO |
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| Fuente |
rdamedia |
| Nombre/término del tipo de medio |
sense mediació |
| Código del tipo de medio |
n |
| 338 ## - TIPO DE SOPORTE |
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| Fuente |
rdacarrier |
| Nombre/término del tipo de soporte |
volum |
| Código del tipo de soporte |
nc |
| 490 ## - MENCIÓN DE SERIE |
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| Designación de volumen o secuencia |
Pt. 2 |
| 500 ## - NOTA GENERAL |
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| Nota general |
Tesi presentada a la Faculty of the Graduate School of Arts and Sciences in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Institute of Fine Arts at New York University |
| 504 ## - NOTA DE BIBLIOGRAFÍA, ETC. |
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| Nota de bibliografía, etc. |
Bibliografia |
| 505 ## - NOTA DE CONTENIDO CON FORMATO |
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| Nota de contenido con formato |
This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. Printed in 1999 |
| 520 ## - RESUMEN, ETC. |
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| Sumario, etc. |
Tesi presentada a la Faculty of the Graduate School of Arts and Sciences in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Institute of Fine Arts at New York University. |
| Ampliación de la nota de sumario |
Joan Miro's collages of the 1920s comprise a significant body of work that has never been studied in depth. Created during one of the most important decades in Miro's career, they provide the basis for a reconsideration of his contribution to Surrealist aesthetics and of the ways his desire to challenge "painting" manifested itself. In 1924 Miro told his friend, the French poet, writer, and ethnographer, Michel Leiris, that his current work was "hardly painting, but I don't give a damn." These words announce the dialectic between "painting" and "anti-painting" that persisted in Miro's work throughout the 1920s. This thesis explores the question of what Miro meant by "painting" and the particular role of collage as a model for what it ("painting") was not. Close attention is paid to the internal dynamics of Miro's collages and related works of the period and to their position relative to French Surrealist and Catalan cultural debates. Andre Breton and Louis Aragon's language-based definitions of collage are considered, as are the theories of dissident Surrealists such as Leiris and Georges Bataille, along with the films, paintings, and writings of Miro's younger Catalan compatriot, Salvador Dali Both Miro and the Surrealists shared a desire to disrupt the stable, rational order postulated by the post-war Cubists and their supporters. In their syntactical disjunction, destabilization of fixed meanings, unconventional use of materials (including paint), sexual innuendos, and pointed attacks on the visual field, Miro's collages of the 1920s function not only as formal but as cultural critiques. They make clear that Miro conceived of his work as an oppositional practice, calling attention to his deep involvement with sensual, carnal, and tactile realities (as opposed to celestial metaphors). They introduce notes of contradiction, argument, and aggression into Miro's early work, and highlight the heterogeneity of his production, presenting the flip side of the lyrical, poetic, painterly transformations for which he is best known. |
| 600 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--NOMBRE DE PERSONA |
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| Nombre de persona |
Miró i Ferrà*, Joan |
| 9 (RLIN) |
42008 |
| Subdivisión de forma |
Tesis |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
Art modern |
| Subdivisión cronológica |
--S.XX |
| Subdivisión geográfica |
--Catalunya |
| 9 (RLIN) |
42991 |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
Art i societat |
| 9 (RLIN) |
42123 |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
Avantguardes |
| Subdivisión geográfica |
--Catalunya |
| 9 (RLIN) |
52771 |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
Collage |
| 9 (RLIN) |
46141 |
| 700 ## - ENTRADA AGREGADA--NOMBRE PERSONAL |
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| Nombre de persona |
Lubar, Robert S |
| 9 (RLIN) |
46958 |
| Término indicativo de función/relación |
Advisor |
| 710 ## - ENTRADA AGREGADA--NOMBRE DE ENTIDAD CORPORATIVA |
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| Nombre de entidad corporativa o nombre de jurisdicción como elemento de entrada |
New York University |
| 9 (RLIN) |
82866 |
| 942 ## - ELEMENTOS DE ENTRADA SECUNDARIOS (KOHA) |
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| Fuente del sistema de clasificación o colocación |
Clasificación Decimal Dewey |
| Tipo de ítem Koha |
Llibre |
| Suprimir en OPAC |
No |
